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A Brief History of the Totality of Western Thought

Stephen J. Marotta

Outline again; what we have covered links to previous classes; what we will cover today is in bold.

  • Why study history of philosophy, what is history of philosophy

  • A Path to Propositional Reasoning

    • Behavior before Image

      • The Beasts​

    • The Image before the Dramatic

      • Expansive Cultures Uncodified​

    • Discovered Dramatism

      • The Mythopoetic​

      • Gilgamesh​

      • Pharaohs

      • Moses

    • Conscious Drama Emerges

      • Homer​

      • Sophocles

      • Aristophanes

  • ​Part 3: The (pre-)Socratic revolution (dialectic search for the arche)--THE CRISIS EMERGES with the new types who want to have it all out in a go!​
  • Part 4: The Catholic Roman Expansion (The not-so-Dark Ages)--Still all footnotes to Plato, on the philosophical side-- but a strange preservation of the mythopoetic.

  • ​Part 5: The Cartesian Revolution -- Problem is Rationalism v. Empiricism (whence comes all our knowledge?)

  • ​Part 6: The Kantian Revolution -- Dissolving the "rationalism v. empiricism" old problem, now interpret this one as objective or subjective phenomena
  • ​Part 7: Nietzsche as judge throughout (rewind time) -- Dissolving pessimism v. optimism of nihilism... Resurrection of the mythopoetic or total reduction to materialism?​
Part 2

A Brief History of the Totality of Western Thought

Part 2 of 8: Behavior before Image before Drama before Thought

Intro:

 

In today's discussion, we are going to look at two aspects of the history of thought.

 

The pre-spoken image

 

The mythopoetic dramatic narrative

 

Both to give us the stage upon which Socrates will show up and invent a new game: The analytic propositional.

 

In the pre-dramatic, ideas and truth exist, so do lies... but they do NOT exist as propositions in any individual head. These "ideas" preexist humans who own them consciously. It is more correct to say that the ideas own the people.

 

If this seems strange, let us use an intuition pump or two to make it more palatable.

A Brief History of the Totality of Western Thought

Part 2 of 8: Behavior before Image before Drama before Thought

The Acted Truths

 

First Thought Experiment, Intuition Pump: The wolf and snake:

 

When a pack of wolves meets with another pack on the trail, they follow a set of rules which amount to an overarching body of ethical principles. They have no language, and know none of these things. Yet they embody these ideas.

 

Humans studying the behaviors of these animals can attempt to codify the rules by which these creatures are governed:

 

When Pack meets with Pack in the Jungle, and neither will go from the trail,

Lie down till the leaders have spoken — it may be fair words shall prevail.

-- Kipling, from "The Law of the Jungle"

 

There is another older principle at play in these situations... a principle so old that it is had in common between wolves, serpents, and piranha. Evolutionarily ancient.

 

Piranha bite anything they want... but when two piranha fight one another in a territorial dispute, they slap their fins against one another instead of biting.

 

Snakes bite viscously and fatally. But when they fight one another, they wrestle.

 

When the head wolf of either pack engages with the head wolf of the other, while all the two packs lay still beside the trail, they make themselves BIG and LOUD... this is the opposite of what wolves do when they are hunting, when they are trying to kill. When a wolf hunts it becomes small, and quiet. But when it is engaged in a dispute with the leader of another pack it does the opposite. There seems to be a naturally evolved seriously deep aversion to killing a member of your same species which goes back to before our ancestors left the ocean! (for more on this idea)

 

They wrestle. Until one of them submits. The wolf that submits exposes a vulnerable part of its body to the more competent wolf, as if to say: "Go ahead, rip out my throat, you are the better." At which point the dominant wolf declines to take advantage of this situation. Places his mouth on the throat of the defeated wolf, and does not bite.

 

The dispute has been settled, and the packs go their separate ways.

 

The point of this story is to underline the fact that highly sophisticated principles can be at play in a species that has no idea why it is doing what it does. The behaviors of the animals are manifestations of the ideas, but the ideas do not exist in the skulls of any of the members of the species because those skulls have not developed the ability to use language, to think in words, and so cannot analyze what they are doing, debate with themselves about whether or not they should behave in this way or in another... they just do.

 

If after we have developed to the point we have, we were to go back and look at what principles must be operating and what complicated set of rules could be derived from those principles, it would probably take us quite some time to work them out and pages of "wolf philosophy" could be developed. (maybe books?).

 

It was like this for man, originally. Just because no one was putting things into words, there were still ideas, they just weren't in our individual skulls.

A Brief History of the Totality of Western Thought

Part 2 of 8: Behavior before Image before Drama before Thought

To get to our second and third thought experiment intuition pumps, we have to consider imagery.

 

When we first started putting words to our actions, these were not propositional statements subject to analytics, rules of logic, right-thinking principles of philosophers... they were pictures.

 

We didn't jump from embodiments of principles to articulatable thoughts in one go.

 

We made images. Here the artist is doing the work for us. Want to know who is in the world, what personal forces are manifest, the characters you better know if you want to be oriented in a way in which you can thrive and not die? Want to know all this before you even know you want to know it? How about a culture and a civilization built around and upon artistic depictions?

img-rainforests-valley-bolivia_big.jpg
cave_1200x768.jpeg

So we made these

skynews-prehistoric-painting_4863948.jpg

And these

images.jpg
cave_paintings.jpg

If you cannot stare at works like these forever, and contemplate their meaning, and occasionally be overwhelmed by the realization that some of that meaning you can get was gotten by your ancestors 44 thousand years ago, then you are missing something.

mountains-womanclimbing_big.jpg
R3GOMSIKZQN2JOQ2FMNE7GD6PY.jpg
Hiking Trail

The horror. The magnificence. The heroic call. The capacity for transcendence, celebration of bounty, recognition of life's qualities and necessities... all too much for words (or, perhaps, not, if philosophy can do what it has set out to do, and has so far not yet done).

<-- and then we made these as well.

And we made many of them, and copied them, and passed them around, and were influenced in our psychologies and our behaviors and our beliefs by them.

A Brief History of the Totality of Western Thought

Part 2 of 8: Behavior before Image before Drama before Thought

The image was the first language. It contained sentences and paragraphs and books of information... but it had to be interpreted, and the interpreter might be wrong. Images came from the dream world, but one dreamer is not as sophisticated as another. But the images were solid. They had effect. Whole cultures could begin to be built off of these solidified dreams given form.

 

Another word about dreams: Children all over the world, from all cultures, languages, ethnicities, have remarkably similar dreams. Anthropologists since the 80s have reestablished that Human Universals exist. The cultures are different. If it isn't the culture making a child of 7 dream of dragons, where does it come from? (keep this thought in mind).

The Dramatized Actions

 

This was our first language. The IMAGE. The imaginary. The dream language of art.

 

But the dream language of art had another gift to give us. It wasn't done yet. It is still the dream world of forms and characters which constitute the second language of narrative. The dramatic. all of the mythology is stories about deities and heroes... ways of being in the world, characterological forces at work which constitute what the world is at its base.

 

We lived because of these stories. We built our cultures around them. They allowed us to thrive. It was differences in our stories which worked themselves out in tribal bloody horrific warfare. The stories that oriented us better were the stories of the civilizations which survived and passed their stories down (notwithstanding the accidents and arbitrary superfluous horrors of history which also had a role to play)

Second Thought Experiment, intuition pump: time machine

Get in a time machine and bring a person from 20,000 years ago to today. He will learn to use an ipad in as little time as it takes a 3-year-old to learn it; become bored with that, and probably take over the world, if anything.

 

But, get in a time machine and travel back 20,000 years and try to survive a week. You and I will be dead in about an hour's time.

 

Life was FAR MORE serious for our ancestors. Far more immediately fatal. There is NO WAY that the ones who survived and thrived and became our ancestors were fools. Just in order to survive they had to be the most serious people. They had to pay endless careful attention to every part of their surroundings. If they got the slightest bit wrong in their conceptions of themselves and the world they were in, they would have been their neighbors, who died without a legacy, who were far more numerous than our ancestors.

 

The stories of the Gods and Heroes. these were not entertainments. Or, they were not entertainments with the connotations we have of that word today of: "time-passing" or "fun".

 

People were put to death for not believing in these stories; and rightfully so! How can you have a coherent grand culture in as hostile and vicious a world as our ancestors developed in if blasphemy was running rampant. Far more people will die than the one sinner if the stories are shit on at that time.

 

It was a civic duty to attend plays at this time. One may have enjoyed them, but one was looked upon with suspicion if one missed them. Our ancestors were starving and warring with neighboring tribes and cultures. Genocide and pandemics (laugh at the idea we have pandemics today) were the reality. Know who you are and what is real about the world, and use the only language we have for that, the powerful language of drama, if you wish to thrive.

 

  • The chances that an animal in nature will die a violent death are basically 100% today.

  • The chances that you will die a violent death are closer to 0% than 50%.

  • Half-way between us and our heroic ancestors, it was closer to 100% still.

 

The stories they produced about what the world was made of, who we were as people, and how to orient ourselves in the world so that we and our families and our nations will thrive were not pastimes. They were essential. Get the story wrong, or fail to take a good story seriously, your end is almost immediately upon you.

So what sorts of stories developed?

Here's an example:

 

Chaos is all there was, once upon a time. A swirling ocean of total potential, with purposeless entities and forces popping in and out of existence. Gaia emerges and then gives birth to Kronos. temporality had to predate the emergence of things which can last. But time cannot be a meaningful concept unless there be things in a space of not things to manifest phenomena repeatedly or in sequence. (In other words, you arrogant scientific modern men: THE TIME SPACE CONTINUUM HAD TO DEVELOP FIRST AND OUT OF NOTHINGNESS before our story can get started... Congratulations, Dr. Krauss (I seriously love this guy, not trying to insult him, but seriously) on climbing that mountain the hard way! The ancient Greeks had all this worked out in narrative form 3000 years ago, and their story was based on stories which were much older than that and had the basic largest truths of that story in them!

 

The history of life on earth is the history of Nature selecting from the random variety (potential) which emerges the advantageous varieties which pass their characteristics on to the next generation, is it Dr. Darwin? Well, Nature has contrived to produce personalities. Is it so inconceivable that what we mean by "nature" is a set of conflicting and complicated personal forces which have been acting on life all this time? Even on matter? Or are our personalities not a product of natural selection?

 

(We cannot support this now, but we will see when we look at the "god of the philosophers of the middle-ages" that their talk about this entity, the theological contributions they made are indistinguishable from post-Kantian talk about "The Universe as a Whole". This wasn't done on purpose, but we will see that we could rip off the cover of a book written by Medieval philosophers talking about God, and replace it with a cover we ripped off of a post-Kantian philosopher talking about the Universe as a whole, and switch the two covers, and nothing else would have changed.)

 

Well, who knows the answers to such crazy questions... but the ancient stories told us how our ancestors thought these questions were answered.

Third Thought Experiment, intuition pump: who are the gods?

Mt. Olympus is a place with many warring Deities Things are going well when the right one is on the throne. But it takes all types.

 

Have you ever been in a rage before? Were you like yourself; or, rather, did you come out of it thinking: "how could I have done that?"

 

Notice a friend of yours who is in a rage? Does he look like himself or herself? Or, rather, do they not look MORE like ANYONE ELSE IN A RAGE in the moment that they are in a rage?

 

What about lust? Can we be possessed of that? There is a story of Thomas Jefferson writing to a friend of his the morning after a party where he spent the evening hitting on the wife of a friend of his. Ever regret your foolish behavior the morning after?

 

There are personal forces at work. There are personalities which ride slightly higher than individual people. These forces can take possession of us. Better to know what they are, and make the right sacrifices and propitiations lest they do take control of us. They have a role to play in the making of what the world is, BUT they have their own historical wills and what they want and what is good for you, as an individual, may not seem like the same thing at times.

 

Venus is real. Mars is real. Rage and lust are PATTERNS of behavior. They are not inventions of individuals, but the image in individuals is the image of the gods. We were created in their image.

 

How stupid do these stories sound now? They seem to me, more and more each day, like the most accurate way humanity has yet developed for talking about the truth of the world.

 

Eros flies higher than these deities; the titans predate them; there is endless exploration to be done to try and draw out the truths of these stories. But that is not a project for us just now.

 

We have to get back to the purpose at hand.

THE PEOPLE WRITING THESE STORIES did not have the propositional interpretations that we just briefly tried to extract from them.

 

No one sat down and said: "How can I tell a story which will code deep and important truths about the world" at this time, and then tried to create those stories.

 

The stories EMERGED from the artists who were dreaming the forms which are really a part of the world, the forces that so make up the world that through the natural selection of the world acting upon our ancestors they produced creatures which dream of them. Where else did these impressions come from? Are they random? Accidental? That would be anti-Darwinian of us to think.

 

When The KJV says God created man in his image; and when the church says that such stories were inspired, that the original writers didn't really know fully what they meant... both are correct. The spirit of God, the Logos, the Zeus principle; was hovering over the chaotic potential and SPOKE order into it.

 

These stories are saying the same things, sometimes clearer and more developed over time; sometimes dirtier and muddled with conscious manipulation at others... but they are all trying to get at the same thing. To tell us, (without knowing they were telling us and without us knowing we were being told!), who we are and what world it is that we inhabit.

 

All in the pre-propositional language of narrative.

The Mythopoetic Narrative Language Emerges

GilgameshOsirisGenesis.

Mythopoetic thinking verses propositional analytical thinking

I am taking most of this section of the lecture from old notes I made on an essay I am having trouble tracking down. Everything in bold is something I've added instead of a summation of the essay which was most of the point of the original notes. I will link to that essay and reference it when I find it.

 

“The fundamental difference between the attitudes of modern and ancient man as regards the surrounding world is this: for modern, scientific man the phenomenal world is primarily an 'It'; for ancient - and also for primitive - man, it is a 'Thou'."

 

Keep these texts in mind in order to contrast them with the pre-Socratics. Homer is moving towards the pre-Socratics, but he’s not quite there. Homer has one foot in this world and one in the next world.

 

The speculative thought of primitive man compared with the modern man’s speculations. The Pre-Socratic philosophers are the ones who think much more like we do today. Speculative thought is by definition thinking about things outside the realm of experience. It’s thought about things where evidence just isn’t available. If we can investigate we don’t need to speculate.

 

The speculative thought of the ancient near east has two distinct characters, he says:​

  • On the one hand, it is not limited by science.

    • It is not limited by a disciplined approach to inquiring about the nature of the world.

    • The scientist uses a particular methodology and a discipline; this is not true here.

    • The range of things one could speculate on was massively greater

      • I would argue that there ARE methods and editorial processes of the stories of pre-analytical propositional reasoning, these just don't exist in one mind, but are played out through thousands of years of history.

  • For primitive man, the realms of nature and the realms of man were not distinct.

    • There was no distinction between “facts about the world” and "knowledge of the self."

      • We will come back to see that if there is a synthesis between these two again, we will have completed what Hegel called the "End of History".

    • The radical distinction we have between us and the world is really just a Cartesian invention. 1500s. We have it because we are children of Descartes.

      • We might say something like: “It seems to me that Obama is a good man, but I don’t really KNOW how it is in fact.” or “That last burst of lightning really scared me even though I know there is nothing to fear in it.”

      • How it seems to us is one way, but our rational mind knows that we don’t have anything to fear, or that we really know something.

 

“Thou” instead of “It”.

 

Let’s contrast ways of seeing the world.

  • We draw a distinction between subject and object.

 

That distinction is the basis of all scientific thinking of the world. This is reasonable.

 

In science we are trying to see the world “as it really is” apart from how it “appears to us to be.” There’s the “reality” and then there is the way it feels.

 

The OBJECTIVE is alien to primitive man. The whole distinction between subject and object is alien to him.

 

For primitive man, what appears, is. There is no distinction between what appears and what is. For us colors don’t exist in the world, just in our minds. Scientists not only have nothing to say on the subject of "Why it is like something to see red." but they CAN never have anything to say about so basic a question. Even the philosophers have little they can say about this... it is still a question in the realm of the artist, the poet, the conductor, to explore this quality of life.

 

I walk into a room, I’m late, I've drunk too much. I don’t need to think about or analyze or speculate about my wife’s feelings. They are written all over her face. There is no inference here; that’s the important part. I “understand all at once” I don’t have to reason about it.

 

In the objective sense, I’m an active inquirer. In the subjective stance I’m passive, I just read the situation.

 

In treating the world as an “it” i treat it as a “thing to be inquired about”. And that implies that “it is set” that “it is determined, that it is set in its ways; unchanging, explicable, predictable.”

 

The world treated as a “thou” presents itself as individuals. Unpredictable as people. I would argue that familiarity with the characters is what makes it predictable enough to navigate to some degree.

 

“Primitive man simply does not know an inanimate world.” The “thou” exists for us still, when we think of other human beings.

 

Try to imagine viewing everything in the world as a “thou”. This is how the mythologists did view the world.

 

If this is all correct, then we can ask about the consequences this has for thinking about the world. Let’s unpack it.

 

Happenings are viewed as unique, individual, distinct events, if everything is a thou.

 

Myths on this view are NOT a form of entertainment; they are a form of explanation. It is a recounting and celebration of life’s important events.

 

If the events are unique, then we need unique stories to capture unique events.

 

There is no such thing as a consistent mythology. The stories explicitly contradict each other. I'm not so sure this is a fair appraisal. I would rather say: The stories are approximate and in development; when the stories contradict, they are still being perfected. It would not be fair to say that one philosopher contradicts another, so let's not take philosophy seriously. IF what this point was saying was: The story doesn't have to be consistent when it comes to rules of time and space, this I agree with; just like dreams don't follow those physical laws.

 

Consistency is just NOT important. Explanatory power is what’s important.

 

One can see from this that mythical thought is an ABSTRACT kind of thought, of speculation, of explanation.

 

IT is CAUSAL this explanation.

 

It’s just causality conceived very differently, under the “thou” instead of the “it” framework.

 

Given the lack of distinction between subject and object; generalities carry no weight in the mythic mind. The “simple terms for many general phenomena” are scientific values, the primitive mind cares not for these things.

 

Neither does the distinction between appearance and reality mean much to the mythical mind. Hallucinations/dreams are treated as just as meaningful as waking experience.

 

The mythic mind does not distinguish between the symbol and the thing symbolized. We must look at Jung to see why this is not such a foolish approach as it may seem to us. The Sign is different from the Image or the Symbol; the Symbol must contain within it the image or the form of the thing it is trying to relate to us. (A sign just points in the direction).

 

Protestantism is distinguished from Catholicism because they believe that the bread and wine are merely symbols of the body and blood; but Catholics see them as the same thing. (We will get to the preservation of mysticism in the Catholic Roman Tradition in Part 4 of this 8 part series).

 

Although mythic thought is causal thought, it lacks the scientific conceptions of causality, the impersonality and generality and such.

 

Mythic thought is concerned with the INDIVIDUAL character of events, not the general commonalities of events.

 

If I think of each leaf as how that one is DIFFERENT from that one NOT with the myth that there are “same” things in the first place. Nietzsche.

 

Mythic thought seeks RICHNESS of explanation not simplicity of explanation.

 

It’s like they were living in a dream world. Time and space rules are INSIGNIFICANT to my dreams if time and space rules are violated to tell me what I’m supposed to learn from that dream. The paintings have Ra in many places on the same depiction, nut is a woman in one and a cow in another… SO WHAT! Says the primitive mind.

NOTES OVER, WILL LINK HERE WHEN I TRACK DOWN ORIGINAL ESSAY

What is Mythopoetic Thinking?

Mythopoetic thinking refers to a pre-Socratic scriptural mythological language.

 

The users of this kind of language are using narrative to understand the world. Therefore they see characters and personalities as the causal origins of any interesting phenomenon.

 

It is not that people who think that way are incapable of thinking in an analytical, propositional or objectivist scientific way of thinking so much as they are uninterested in thinking in that way.

 

Here is an example:

 

I am walking down a country road one day, and as I pass a house, just as I am passing a house, all the snow on the roof of that house slides off the house and crashes to the ground.

 

If I am thinking in a mythopoetic way of thinking, and I ask: "Why did that happen?" and you show up and are thinking an a scientific, objectivist evidentiary way of thinking you might answer something like this: It is 2pm, so the warming of the sun which is visible all day today has reached the maximum of melting effect it can have on snow the sun can touch. Furthermore, the coefficient of static friction is always higher than the coefficient of kinetic friction, which means it takes more of a force to start a relative velocity change between two objects than there is slowing that relative velocity as they slide past one another. Therefore, as the weight of the snow is down, but the normal reactive force of the roof pushing back up on the snow is at an angle, there is a horizontal component. It must have been that the warming of the snow, at this part of the day, was just enough to overcome the static friction force which was previously working to keep the snow from sliding...."

 

If you were to answer my question in that way, it is not that I would not understand what you are saying, but if I am thinking in a mythopoetic way, I will be bored and completely disinterested in this kind of answer.

 

I didn't ask why ALL snow falls off of ALL roofs at all times and in what universal conditions and under what physical laws... I wanted to know why THAT snow fell RIGHT THEN just as I was walking by.

 

An answer I might reject or accept, but that I would find more relevant or interesting would be something like this:

 

God is watching and trying to send you a message, you know what you have been ignoring and thinking you will get away with not attending, but collapse can happen all at once, and the universe is sending you a warning reminding message of this.

 

OR: there are winter elves, and they are playful and dangerous, and they tempt us into their wooded domains by sending us dramatic and sudden phenomena with no other explanations in the hopes that we will investigate more into their world, let's get out of here, I don't trust them and I am not tempted to wander off the beaten path just because of curiosity.

 

OR: There is danger or witchcraft going on in that spooky house, and this is a natural external warning not to knock on the door of such a place.

 

Again, we wouldn't necessarily accept any of these; we would just find some such answer acceptable or not, and in any case these are the kinds of answer for which we are currently looking if we are thinking in the vocabulary of SUBJECTIVE experience of life instead of OBJECTIFYING the world and pretending to observe it from outside (the Late-Christian Scientific view).

 

Homer has one foot in the mythopoetic, and one foot in the "conscious authorship and owner of my ideas" realm.

Recap

We started with embodied principles which were not understood in any individual mind. The ideas existed, but they existed outside ourselves. We performed them, instead of thinking them.

 

We emerged into artistic depictions of the forms which underpin existence and constitute being. Artists gave us images which contained within them the forms of things we only rarely had opportunity to engage with, and so we expanded our understanding. This was mostly done unconsciously. Unconsciously by the artists, the authors, and unconsciously by the persons appreciating the art, experiencing it.

 

We developed narrative dramatic depictions before we understood what we were talking about we were still talking about these things nonetheless. The stories evolved the way the dreams in our minds evolved. because of nature acting on us imprinting these images on us. This has been expressed in mythological stories as "Created in the image of God".

The Final Stage Before Propositional Analytical (philosophical) Thinking

Then we get into more conscious story editing: people started to realize what the stories were about and what they were for, and they tried to give the best version they could through the dream-inspiration of the artist, but with a tiny bit of conscious authorship as well... setting the stage for the arguments of the future.

Homer, Sophocles

In Part 3 we will look at the pre-Socratics and get all the way through them, Socrates, Plato, and Aristotle.

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